My work focuses on matter, on the edge of the Informal.
Canvas, wood, iron or plexiglass as the supports I use, recede until they want to disappear from their appearance, to the point of allowing the sedimented color together with different material to replace the flat surface.
I don’t try to have an image of the material but the material in my hands. I need to physically feel the tactile resistance that is created and the tension of my gesture, when I try to transform this materiality into a sign within my doing and thinking about Art.
From this process of disidentification of myself and of the surrounding objects, the un-veiled and un-figured matter helps me to reopen a relationship with reality in a dynamic and phenomenal sense.